Get a first course of drawing and blueprint reading PDF

By Shriver L. Coover

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Extra resources for a first course of drawing and blueprint reading

Sample text

Georg Baselitz, What You Are Not Is a Self-Portrait 24 ................. 18416$ $CH5 03-27-13 14:51:35 PS PAGE 24 From Self Toward Self But in this intimate combination of the two gestures of birth and ostension, the one can never separate from the other—birth cannot simply remain an interminable process (a mark must be traced), nor can ostension simply present a formed or closed form. The status nascendi or status formandi—this status that has no stable state and that remains incessantly metastable—never stops preceding and extending itself beyond itself.

It is by affecting oneself, desiring or withdrawing from oneself [se repoussant], or pleasing oneself in this desire or displeasing oneself in this refusal, that the ‘‘self ’’ is formed or the ‘‘self ’’ is made [qu’il ‘‘se’’ forme ou qu’il ‘‘se’’ fait], in other words, that a ‘‘self,’’ a ‘‘to self,’’ manifests or overcomes itself [survient ou se survient]. Manifesting itself, in this way the subject comes to distance itself from its self and can experience pleasure or pain, in other words, the expansion or retraction of its being.

Insofar as this consent toward self consents to an impulse and not a given, to a birth and not a figure, it consents to an outside, to an other—to an alterity or alteration that, before all beginnings, will have mobilized the gesture without pre-scribing [pre´dessiner] or predestining it but tracing out [frayant] a path—opening up an attraction, an appeal that precedes the mark [une attirance, un attrait avant le trait], the pleasure of a desire. ‘‘Consent toward self ’’ could be a formula for the pleasure specific to art or even, perhaps, to pleasure in general—to pleasure and, indissociably, to the exigency and effort that are necessary to it.

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a first course of drawing and blueprint reading by Shriver L. Coover

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