By Peter G. Beidler
Publish 12 months note: First released in 2009
This second edition of Peter G. Beidler's Readers spouse builds at the good fortune of the 1st version. it is going to be an integral consultant for academics, scholars, and common readers who wish totally to understand Salinger's perennial bestseller. Now six many years previous, The Catcher within the Rye comprises references to humans, locations, books, video clips, and old occasions that might puzzle many twenty-first century readers.
This variation encompasses a new part on reactions to Salinger's demise in January, 2010. Beidler presents a few 250 causes to assist readers make feel of the tradition during which Holden Caulfield stumbles as he comes of age. He offers a map exhibiting a few of the stops in Holden's new york odyssey. Of specific curiosity to readers whose local language isn't really English is his thesaurus of greater than 100 phrases, words, and slang expressions.
In his introductory essay, Catching The Catcher within the Rye, Beidler discusses such subject matters because the three-day time line for the unconventional, the way in which the radical grew out of 2 earlier-published brief tales, the level to which the unconventional is autobiographical, what Holden feels like, and the explanations for the long-lasting allure of the radical. the various pictures within the Reader's significant other provide interesting glimpses into the realm that Holden has made well-known. Beidler additionally presents dialogue of a few of the problems that experience engaged students down over the years: the that means of Holden's purple searching hat, no matter if Holden writes his novel in an insane asylum, Mr. Antolini's troubling activities, and Holden's shut dating together with his sister and his brothers.
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Extra resources for A Reader's Companion to J.D. Salinger's The Catcher in the Rye (2nd Edition)
Most important, she encounters a new character, one who is both so like and unlike the others who have influenced (and reflected) her that he introduces a new element in the ongoing dialogue between romance and Christian submission. This character is, of course, her cousin St. John Rivers, still another minister, whose mission is to save souls, this time in India. St. John is handsome, unlike Rochester, but like a 舠prostrate column,舡 cold and rigid (unlike Rochester again). Though Jane admires him greatly, he represents danger of another sort: extreme repression of desire and self-denial, a sort of tyranny over the naturalness of human feeling.
In some ways it is difficult to account for the continued stature and popular appeal of a work that has been read as both feminist and antifeminist, radical and conservative, highly original and highly derivative, Romantic and Victorian. Certainly many readers, beginning with George Eliot in the nineteenth century, have been disturbed by the way the plot hinges on a moral dilemma involving antiquated divorce laws and nineteenth-century notions of women舗s sexual purity. Some critics, such as Virginia Woolf, have seen the novel as too angry for its own literary good; others, notably some modern feminist critics, as not explicitly angry enough.
Moreover, the novel舗s improbable coincidences (so common in Victorian prose fiction), the attempt at Byronism in the portrait of its hero, and the moral stringency of its characters舗 religious preoccupations all contributed to its lower status within the canon. This state of critical affairs changed with the feminist revolution in literary criticism, and especially with the publication of Sandra Gilbert and Susan Gubar舗s groundbreaking work The Madwoman in the Attic (1979; see 舠For Further Reading舡) .
A Reader's Companion to J.D. Salinger's The Catcher in the Rye (2nd Edition) by Peter G. Beidler