Read e-book online A reader's guide to Edwardian literature PDF

By Anthea Trodd

ISBN-10: 0919813895

ISBN-13: 9780919813892

A survey of the variations of Edwardian writing and the way they healthy into literary and cultural swap. This e-book covers writers resembling Conrad, Forster, Wells, Bennett, Shaw, Kipling, Tressell, Hardy, Yeats and Woolf. Modernists equivalent to Lawrence and Mansfield also are incorporated. the writer combines literary feedback of writing within the Edwardian interval with cultural exams (for instance, she examines imperialism and patriarchy), and units her paintings in an historic context.

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Extra resources for A reader's guide to Edwardian literature

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In a 1905 essay on Henry James, a writer with a notably limited readership, Conrad suggested that the artist's pursuit of his meaning long outlasts his audience's willingness to listen. He envisaged a Last Day when the artist will continue to tell stories but 'I doubt the heroism of the hearers'. 22 Heart of Darkness enacts this Last Day, clinging to the possibility of a known audience, while still doubting its capacity to follow the teller. If the attention of Marlow's male listeners is doubtful, there is another audience which is formally excluded.

22 Heart of Darkness enacts this Last Day, clinging to the possibility of a known audience, while still doubting its capacity to follow the teller. If the attention of Marlow's male listeners is doubtful, there is another audience which is formally excluded. The audience, as for other romances, is emphatically masculine, and in this case we are continually reminded that the story is untellable to women. Early in his narrative Marlow muses 'It's queer how out of touch with truth women are' (Ch. 1), and he later reveals that he entirely failed to tell his story to the woman most closely concerned, Kurtz's Intended.

If the attention of Marlow's male listeners is doubtful, there is another audience which is formally excluded. The audience, as for other romances, is emphatically masculine, and in this case we are continually reminded that the story is untellable to women. Early in his narrative Marlow muses 'It's queer how out of touch with truth women are' (Ch. 1), and he later reveals that he entirely failed to tell his story to the woman most closely concerned, Kurtz's Intended. 'I could not tell her. It would have been too darktoo dark altogether' (Ch.

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A reader's guide to Edwardian literature by Anthea Trodd


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