By Harold Bloom
The prestige of Alice Walker as a interval author or everlasting determine in American literature is still a resource of discussion between critics. This quantity examines Walker's Meridian and the colour pink, and contains a record of works by means of and in regards to the writer. This sequence is edited through Harold Bloom, Sterling Professor of the arts, Yale college; Henry W. and Albert A. Berg Professor of English, manhattan college Graduate tuition; preeminent literary critic of our time. Titles contain specified plot summaries of the unconventional, extracts from scholarly severe essays at the novels, a whole bibliography of the writer's novels, and extra.
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Additional resources for Alice Walker, New Edition (Bloom's Modern Critical Views)
Possessing only the story of Feather Mae, Meridian goes to the Sacred Serpent and induces a vision: It was as if the walls of the earth that enclosed her rushed outward, leveling themselves at a dizzying rate, and then spinning wildly, lifting her out of her body and giving her the feeling of ﬂying. And in this movement she saw the faces of her family, the branches of trees, the wings of birds, the corners of houses, blades of grass and petals of ﬂowers rush toward a central point high above her and she was drawn with them, as whirling as bright, as free, as they.
32 Joseph A. Brown No t e s 1. Robert B. Stepto, From Behind the Veil (Urbana: University of Illinois Press, 1979), 164–166. 2. Significant dwellers on this mystic plain would include John in Baldwin’s Go Tell it on the Mountain, Milkman in Morrison’s Song of Solomon, and the most elusive of all the mythic characters of modern Afro-American fiction, Bigger Thomas in Wright’s Native Son. The concept of a “mystic plain” has been discussed earlier in Callaloo, in this author’s review, “With Eyes Like Flames of Fire,” (Callaloo, No.
The service Meridian attends is a memorial in honor of a young man slain while working in the Civil Rights Movement. His father, terminally shattered, attends this memorial to speak a word to the congregation. In one of the most beautiful passages in the book, the awe-inspiring acceptance of the truth of his sorrow by a community “well-acquainted by grief,” ends with the perennial words of the surviving father: The words came from a throat that seemed stoppered with anxiety, memory, grief and dope.
Alice Walker, New Edition (Bloom's Modern Critical Views) by Harold Bloom