By Alvin Martin
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Additional info for American Realism - Twentieth-Century Drawings and Watercolors
Gericault and, at times, Delacroix could be called Ro- mantic it in highly subjective ways. The exception cault the first art. The most the Revolution. with the art significant who and "Medusa" (1819), Geri- lengths to study in detail corpses in the He also Though drawn from with the Orient, he also drawing by using it to record the poses of his much of his work was inspired by exotic French Neoclassicist was history, literature, or his fascination models. subjects painted contemporary events in a powerfully emotive, realis- manner.
He worked in broad, flat areas of color and tone with a loose and economical brush. So vehemently was he criticized that his friend, the Realist novelist subjects This concept of innovative form in the hands of Mayounger colleagues, the Impressionists, further set the course of modernism toward abstraction. In the 1860s the Impressionists Claude Monet, Paul Cezanne, Camille Pissarro, Frederic Bazille, Berthe Morisot, Pierre- Auguste Renoir, and Alfred Sisley formed the first of the many groups in the history of the modernist movement.
He his creation of the structure was built art pavilion at the homage was paid to own installed a retrospective of his work, including The Studio: A Real Allegory Concerning Seven Years of My Artistic Life (fig. 6). This gesture, though derided by the conservatives and the public at large, attracted the attention of a number of the younger artists who were to become the next generation of the modernist movement. Realism in the general sense of the word found its place in academic circles after the middle of the century.
American Realism - Twentieth-Century Drawings and Watercolors by Alvin Martin