Get Architects Draw: Freehand Fundamentals PDF

By Sue Ferguson Gussow

ISBN-10: 1616891815

ISBN-13: 9781616891817

Architects Draw bargains a pragmatic and worthy option to support scholars and would-be sketchers translate what they see onto the web page, no longer as an imitation of fact, yet as a finished union of voids and solids, gentle and shadows, strains and shapes. for almost 40 years respected Cooper Union professor and artist Sue Gussow has taught aspiring architects of various talents how one can totally discover and understand the areas that make up our actual atmosphere. Gussow skillfully applies architectural language to twenty-one drawing workouts that take on various forms—from peas in a pod to monkeys, skeletons, dinosaur bones, and the artwork of Giacometti and Mondrian. She exhibits, for instance, how reduce fruit and paper baggage show that the actual international is made from planes, dimensions, and enclosed house.

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Additional resources for Architects Draw: Freehand Fundamentals

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The lines weave together the profiles, the jaw line, the carefully studied eyes, and an aging neck, combining these elements to create an intriguing ambiguity of positive and negative intervals and volumes. 56 Make an underdrawing of the drawing in the spirit of the rapid figure sequences practiced previously. Allot no more than 2 to 5 minutes for this (see “Monkeys,” pp. 43–50). Make a separate rapid underdrawing, this time as the underpinning for a longer study of 20 to 30 minutes. Follow the master’s hand respectfully but at the same time freely and with speed—not line for line.

The Skeleton Within the Figure. After two or three sessions of side-by-side drawings, view the live model’s posture next to a similarly positioned skeleton and 52 Figures 3 and 4 study the skeleton in relation to the fleshed out figure. F IGURE 3 The drawing examines the lower portion of the skeleton and figure in like postures, noting the necessity and influence of the bony structure on the body’s stance. Prominences of bone become evident at pelvis, knees, ankles, and feet. F IGURE 4 place the drawing of the skeleton within the volumes of the figure being studied.

The issue of focus also comes into play. The more darkly incised left hind foot is brought forward to the same plane as the left hand, enhancing the spine’s motion forward. The almost head-on point of view furthers the illusion of the skull’s being thrust in front of the picture plane. 47 Dinosaurs After a couple of weeks of drawing monkeys and their bones, the next project is to draw from the museum’s dinosaur skeletons. Here, issues of scale and structure are dramatically evident. The sequence of assignments here essentially follows that of the monkey skeleton sequence.

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Architects Draw: Freehand Fundamentals by Sue Ferguson Gussow

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